Jan. Mehr Informationen zu Unity und Book of the Dead findet ihr auf der offiziellen Website. Den atemberaubenden Teaser und die Assets. Jan. Mit "Book of the Dead" hat Unity Technologies ein Video einer Techdemo zur Book of the Dead ist eine beeindrucke Techdemo zur Unity-Engine. . of the Colossus: Grafikvergleich des PS4-Remasters mit der PS3-Version. Jan. Eine Gruppe von Unity-Entwicklern hat mit Book of the Dead eine Technikdemo erschaffen, die nur noch beim genauen Hinsehen von der.
If they bake the lighting it would run better for sure even if you opened it up a bit. Lighting can really take a lot of performance away from you in these types of situations.
Not saying the engine is perfect, but that lighting really is such a performance hog. Alright, seems I'm even more ignorant than I thought, I've always associated Unity with some sort of "this would've looked good 10 years ago" visuals.
Modern game engines do not dictate the ceiling of a game's visual quality. Many Unity games look great: Unity is an easily available tool and the most widely used game engine ever by far.
The accessibility means people make trash with it sometimes, sure. But so many games are made with it where you wouldn't even know.
The limiting factor in a games look is the art direction typically. Unity gets associated with shovelware because it's the easiest platform to make it on.
The ubiquity of assets available to non-artists via the asset store has changed the way games are made. As a result, some Unity games look bad and many play bad too but are still fun.
Kerbal Space Program, 7 Days to Die, etc. Don't mean to go off on you here and I don't want to sound too hail corporatey , but Unity is a phenomenal tool and it often gets associated with poor products simply because it's so popular.
There are drawbacks to Unity, most definitely. But incredible experiences get made with it everyday and it has made game development accessible to a huge audience.
Yeah this just further proves my ignorance, I had no idea that any of those games used Unity not that I think about that very often.
Don't sweat it--there's no reason to think about it, really, unless you're a dev. The tech should be seamless in the eyes of the player! In a lot of ways these controversies are fabricated by the engine developers competing.
Fortnite is buttery smooth, PUBG runs like ass for so many. PUBG looks like an early s era game if I'm being generous and Fortnite executes its style quite well.
Still, I think it illustrates the idea that skill and design is far more important with these modern engines than the engine itself.
Engines don't decide how optimized something is almost at all, unless there's an inherent problem with the engine anyways.
In simple terms, it's like giving the same supplies and tools to two people and telling them to build a house, except has done it for a few months and the other 20 years.
There are a lot of tricks and tweaks to make a game look good but still run great, and some developers either don't have the knowledge, skill, effort, drive, or some combination of those to execute them.
To add to other comments, PUBG's environments are created by buying stuff from Unreal Marketplace and adding them to the game with slight variations.
Those assets aren't optimized and causes performance issues. Unity has a low barrier to entry, and most of the post-processing effects do not come with the base engine you have to find and download a free module from their asset store , so it's very easy to churn out bad games that look like shit.
Especially given that even if you find out how to enable advanced post-processing, it still takes a lot of practice and tweaking to make a game look good.
Something like lighting a scene can take ages to get right. But Unity has made major inroads when it comes to graphical fidelity over the last years, and by now Unity has a lot of these advanced features hidden away under the hood, so if you know what you're doing you can get very high-fidelity graphics.
It's also kind of a funky situation where all the shitty games developed with the free personal edition of Unity are forced to have the Unity watermark, whereas it can be removed with the pro edition.
So most of the best-looking games made in Unity, you won't know are made with Unity unless you look it up. For a lot of stuff it really comes down to writing them yourself, as the stuff other people have built often won't suit your needs.
I'm wondering how this is going to change with the job system and their new per device optimization will basically have the game be optimized per device rather than per Android version.
Knowing big companies, it probably wont change anything. Switching to new engine version is almost taboo for those Unless its Valve.
I mean I fully understand why, its a nightmare. Though Hearthstone makes enough it might just be worth it to blizzard. The engine is really capable of anything that the other major engines are capable of.
It just has a bad reputation because they force the "Made in Unity" splash screen on the free version. Thus the worst games advertise the engine.
It's really a stupid practice. I remember looking down at the grass on the original Halo on Xbox and just having my fucking mind blown out.
I went over to my 17 year old best mates older brothers apartment he had like a 50 inch Sony Wiga 4: He new it was cool but no idea what to do with it.
He said there is beer in the fridge and a big bag of weed do whatever you want but don't chuck a party he was going over to his girlfriends house.
We got stoned and played halo from 7pm friday night until about 10pm Sunday when he got home. The grass still looks amazing now but that tech demo is on another fucking level.
So, with something like this Like on an HDMI capture device? You can see a bit of it being worked on in the editor here.
This is someone moving around with a controller while recording it. Demo runs in real-time, it's not pre-rendered. I really do not want to go back to p This is hard to watch compared to the pc version.
It says direct capture, but, that narrow fov, and straight jacket like movement at such a low res and framerate makes me sick.
It was a VR joke. The Vive and Rift use 90hz displays. If the game can do 90FPS as a minimum it can handle a measly 60fps too.
Heaney is infamously invested and interested in VR. Nah don't worry about it, I thought other people would catch on but it was clearly too obscure a joke and not really a good one to begin with.
Yes, it doesn't feel good watching it. I'm pretty sure it has to do with the way player moves always looks down and not into the horizon , low FOV and DoF.
This shows us nothing but a tech demo because it is nothing but a tech demo, lol. This isn't going to be a game, this is mainly aimed at developers to show the graphical potential of Unity.
Oh you are right, did not even notice tech demo, well then its pretty awesome graphical wise, but lets still see how mechanics can play out, Skyrim looked amazing and felled short in animations and gameplay so well see how devs can take it from here!
I am impressed that Unity starting to look like Unreal Engine! This is the previous demo from the same team that made the Book of the Dead demo, if you're interested in their capability in making animations.
Still, their skill at animation isn't really all that relevant. They're the Unity demo team, they'll make demos to advertise their product to developers and most likely won't be making games for consumers to play.
So their skill at animation won't really change the validity of the demo in any way. So can they make a game that looks like that?
The Pyramid Texts were written in an unusual hieroglyphic style; many of the hieroglyphs representing humans or animals were left incomplete or drawn mutilated, most likely to prevent them causing any harm to the dead pharaoh.
In the Middle Kingdom , a new funerary text emerged, the Coffin Texts. The Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time.
The Coffin Texts were most commonly written on the inner surfaces of coffins, though they are occasionally found on tomb walls or on papyri.
The earliest known occurrence of the spells included in the Book of the Dead is from the coffin of Queen Mentuhotep , of the 13th dynasty , where the new spells were included amongst older texts known from the Pyramid Texts and Coffin Texts.
Some of the spells introduced at this time claim an older provenance; for instance the rubric to spell 30B states that it was discovered by the Prince Hordjedef in the reign of King Menkaure , many hundreds of years before it is attested in the archaeological record.
By the 17th dynasty , the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well.
At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, though occasionally they are found written on coffins or on papyrus.
The New Kingdom saw the Book of the Dead develop and spread further. From this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes.
During the 19th dynasty in particular, the vignettes tended to be lavish, sometimes at the expense of the surrounding text.
In the Third Intermediate Period , the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics.
The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri.
At the same time, many burials used additional funerary texts, for instance the Amduat. During the 25th and 26th dynasties , the Book of the Dead was updated, revised and standardised.
Spells were consistently ordered and numbered for the first time. This standardised version is known today as the 'Saite recension', after the Saite 26th dynasty.
In the Late period and Ptolemaic period , the Book of the Dead remained based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period.
The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.
The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth," "speech," "spell," "utterance," "incantation," or "a chapter of a book.
At present, some spells are known,  though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles.
Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual. Such spells as 26—30, and sometimes spells 6 and , relate to the heart and were inscribed on scarabs.
The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves.
The act of speaking a ritual formula was an act of creation;  there is a sense in which action and speech were one and the same thing.
Hieroglyphic script was held to have been invented by the god Thoth , and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell.
The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life.
A number of spells are for magical amulets , which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy.
Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available.
For most of the history of the Book of the Dead there was no defined order or structure. The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife.
The Book of the Dead is a vital source of information about Egyptian beliefs in this area. One aspect of death was the disintegration of the various kheperu , or modes of existence.
Mummification served to preserve and transform the physical body into sah , an idealised form with divine aspects;  the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification.
The ka , or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense.
In case priests or relatives failed to provide these offerings, Spell ensured the ka was satisfied. It was the ba , depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it.
An akh was a blessed spirit with magical powers who would dwell among the gods. The nature of the afterlife which the dead person enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion.
In the Book of the Dead , the dead were taken into the presence of the god Osiris , who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep.
There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead , a group of gods, as well as his or her own parents.
While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required.
For this reason burials included a number of statuettes named shabti , or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.
The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures.
Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque.
These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person.
If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.
There, the dead person swore that he had not committed any sin from a list of 42 sins ,  reciting a text known as the "Negative Confession".
Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice.
Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life.
Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".
This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content.Das Verfahren ist vergleichsweise aufwendig. Das Bundesliga tabelle siege niederlagen ist vergleichsweise aufwendig. Dabei kam auch das noch im Experimentalstatus befindliche Delighting Tool zum Einsatz. Der Spieler verschmilzt dabei mit der Kamera. Welche Hardware man benötigt, um die Demo in der gezeigten Weekend in vegas spielen ruckelfrei darstellen zu können, hat Unity nicht mitgeteilt — ebenso wenig wann und ob die Demo veröffentlicht wird. Dabei soll die Rendering-Engine auch hardwarenah auf Grafikchips zugreifen können. Welche Hardware man benötigt, um die Demo Egypten Slots - Spela Gratis Slots Online i Egypten Tema der gezeigten Qualität ruckelfrei darstellen zu können, hat Unity nicht mitgeteilt — ebenso wenig wann und ob die Demo veröffentlicht wird. Das Beste Spielothek in Steudten finden soll wie ein Wackelkamera-Film wirken; an den Kamerabewegungen soll sich auch die Halbfinale eishockey des Spielcharakters erkennen lassen. Es entfernt die Beleuchtungsinformationen aus den dreidimensionalen Photogrammetrie-Texturen, damit sich letztere in der 3D-Simulation unter verschiedenen Everton 6 – 3 Bournemouth | Casino.com benutzen lassen. Unity hat hat den hohen Detailgrad der Texturen und Objekte wm titel italien über die Photogrammetrie-Technik erzeugt. Dabei nutzen die Entwickler aufgenommene Bilddateien etwa von Megascansdie von Algorithmen verarbeitet und an die begehbare 3D-Welt angepasst werden. Dabei nutzen die Entwickler aufgenommene Bilddateien etwa von Megascansdie von Algorithmen verarbeitet und an die begehbare 3D-Welt angepasst werden. Welche Hardware man benötigt, um die Demo in der gezeigten Qualität ruckelfrei darstellen zu können, hat Unity nicht mitgeteilt — ebenso wenig wann t online liveticker bundesliga ob die Demo veröffentlicht wird. Das Verfahren ist vergleichsweise aufwendig. Dabei kam auch das noch im Experimentalstatus befindliche Delighting Tool zum Einsatz. Dabei soll die Rendering-Engine auch hardwarenah auf Grafikchips zugreifen können.